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Dead Cells will be available to play for free for Nintendo Switch Online subscribers from 26th January until 1st February. You can get ahead of the curve by downloading the Dead Cells game trial now from the Nintendo eShop, and then be ready to play once it goes live.
Greg Kot\u2019s 2009 book Ripped gives numerous examples of enterprising artists (The Beastie Boys, Tom Petty, Radiohead, Prince, Wilco) harnessing the power of the internet. In many cases, this meant using free downloads (or inventive pay models, as Radiohead did in pre-figuring Bandcamp) to galvanize fan activity, press conversation, and, perhaps most importantly, economic activity in other verticals relating to an artist's public persona (ticket sales, merch sales, brand deals etc).
This labor could have served as payment in kind (or eventual payment after a certain point) for tracked songs and bodies of work. Complete enough metadata over enough time, help enforce community standards, you get free downloads. Share that music illegally, you get banned from the community and charged with a commensurate real-world penalty (not slapped with an injurious criminal case\u2014at least not for small infractions). I\u2019m spitballing, but the idea of gamified work and self-regulating communities takes loose shape on sites like Wikipedia. From here, you can also imagine how streaming platforms and storefronts like Bandcamp could be built atop this \u201Cpirate\u201D foundation.
There is, undoubtedly, a level of implicit fealty to the recorded music business in Chatterley\u2019s vision that seems to ignore the full scope of piracy\u2019s capacity to help drive attention and profit elsewhere. It\u2019s not so difficult to imagine a gqom producer using WhatsApp or any artist starting a Discord channel, for example, to plant a musical seed that draws considerable press or social engagement. Some might remember The XX\u2019s campaign for their sophomore album Coexist. The band gave one fan a free copy of the album eight days before its release with the instruction to share the album with whomever they pleased. The spread of the album from one hard drive to the next was tracked on The XX\u2019s website, where fans could also eventually stream songs from the album and pre-order it while they watched it spread across the globe on a mesmerizing map (pictured below). Coexist spawned one of the band\u2019s biggest songs (\u201CAngels\u201D) while helping to push them towards prime festival billing and sold out arena shows.
Standard Ebooks is a volunteer-driven project that produces ebook editions of public domain literature using modern typography, technology, and editorial standards, and distributes them free of cost. You can download this and other ebooks carefully produced for true book lovers at standardebooks.org.
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